{"id":650,"date":"2024-04-17T15:48:46","date_gmt":"2024-04-17T15:48:46","guid":{"rendered":"http:\/\/15.237.72.197\/?p=650"},"modified":"2025-09-17T08:00:20","modified_gmt":"2025-09-17T08:00:20","slug":"le-roi-lion-2019","status":"publish","type":"post","link":"https:\/\/whatzhat.com\/en\/the-lion-king-2019\/","title":{"rendered":"King Lion movie 2019"},"content":{"rendered":"

ANIMATED FILM, LIVE-ACTION OR MOTION CAPTURE?<\/h2>\n\n\n\n

In recent years, the great classics 2019 version of Disney have amazed us: \u201cDumbo\u201d by Tim Burton, \u201cAladdin\u201d still available in certain cinemas or even \u201cThe Jungle Book\u201d a digital feat.<\/p>\n\n\n\n

Here's how Disney decided to renew its image: rework all these great animated classics into films made on computers.<\/strong><\/p>\n\n\n\n

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The distinction between animated film, live action or motion capture is becoming more and more precise. Neel Sethi was for example the only real actor in The Jungle Book, he interacted with animals made entirely of computer-generated images.<\/p>\n\n\n\n

But it is with The Lion King that Fairview Entertainment studios once again push the limits by offering a film created entirely on a computer and hyper realistic.<\/strong><\/p>\n\n\n\n

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During an interview Jon Favreau, chief producer of The Lion King himself admitted to not knowing whether it was an animated film or a "live action", he even added that it was not of neither. He wanted to offer us images worthy of a BBC animal report and which in no way resemble visual effects made on computers even if the animals speak and behave humanly. The trailer available here:<\/p>\n\n\n\n

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